Work Architecture of perpetual instability | research | installation

Research

Type: research, design, installation, film
Theme: politics and space
Special thanks: Video is made in collaboration with Tanja Busking
Creative coding and AI by Soyun Park & Cailean Finn
Year: 2020 - 2022

Architecture of Perpetual Instability is an ongoing research on the various crises humanity is currently facing, with a special interest in political systems and the significance of democracy, including its Greek foundations. The project explores how this form of government was historically designed and how architecture supported and portrayed it.

With global power structures in transition, the role of international organizations in shaping societies has become crucial. History shows that crises such as wars, famines and pandemics have been associated with seismic political changes. Decision-making institutions are currently compelled to reinvent themselves to cope with issues of multilateralism and simultaneous fragmentation in the global political arena. As UN Secretary-General António Guterres has noted, this “is the greatest test that we have faced since the formation of the United Nations”.

There is a fundamental contradiction between crisis phenomena that ‘know’ no borders and a political system that reifies borders for defence. During the current pandemic, for example, migrants have been caught up in strained relations between municipal and national government. This highlights the need for deinstitutionalisation, informal decision-making and a greater variety of decision-making institutions. More than ever, citizens now want to understand and participate in governmental and parliamentary decision-making because many of the decisions affect them concretely and personally. I see this as an opportunity to radically enhance democracy, as many citizens feel disconnected from national and international – including EU – politics.

Emergence of data-based surveillance systems and other mechanisms to control COVID-19 are influencing the work of political structures and organizations. For the first time in history, an ‘invisible’, fear-based global power structure is growing beyond the control of political entities.

Since the founding of the League of Nations in 1920, it has often been noted that the functioning of such international institutions is jeopardised by the heterogeneity of their component parts. Project examines prospects for evolution of a network of international institutions such as NATO, the European Parliament, the EU Court of Justice and the European Central Bank.


Currently, buildings of international institutions seem to be perceived merely as containers for politics. Recently, NATO moved its headquarters to Brussels. Although the institution has an enormous impact on city and regional dynamics, its architecture and contextual integration were not the subject of a broad-based open discussion. Here, there is a key role for design thinking to mediate between political forces and the social realm.

The research on politics and space lead to the Prix de Rome entry 'No Innocent Landscape', which states that the current man-made struggle is inevitably embedded in the landscape.

The small mining village of Hrabove is a very apparent site for this, which all of a sudden became of national importance to the Dutch, irrespective of geographical borders, due to the MH17 tragedy. The place is gathering traces and fragments of the different forces at play: from the downing of the aeroplane to the illegal mining activities in the region. Here design can act as a spatial language revealing invisible processes and questioning a healing way forward.

The presented object outlines an idea of reconstruction of the invisible storylines of the site using spatial language. Through the object one can see video of the images of the existing location, but where by using specific words new reality is created between the image frames. Responding to disaster, grief and loss with poetry. Animation, refractive in a transparent object and generated with AI animations, captures time between moments of what is unimaginable and brings together an amalgamation of seemingly random events and processed generated into another representation, where there maybe is reconciliation but no absolute rightness and truth.

Project

Biography

The Prix de Rome is the oldest and most prestigious Dutch award for visual artists and architects below the age of 35.

Lesia's work has been published in ArchDaily, E-Flux, STIRworld, NRC, Het Financieele Dagblad Persoonlijk, Metropolis, Mister Motley, Blauwe Kamer, AD, and more.

Honors & Awards:

2024 - Residency at The Savannah Centre for Contemporary Art (SCCA) and Studio of Ibrahim Mahama (Red Clay), Ghana

2024 - Residency on Governors Island, New York

2023 - IABR Agent of Change

2023 - Financieele Dagblad Top 50 Talent 2023

2022 - Winner Prix de Rome, the Netherlands

2020 - Talent Grant, Creative Industries, Netherlands

2020 - Young Talent Architecture Award, nomination (by the Fundació Mies van der Rohe and the EU Commission)

2019 - Winner Archiprix Nederland

2019 - Winner Archiprix International

2019 - Winner Tamayouz International Award

2014 - AHK Talent Grant

Selected Exhibitions:

2025 - Solo exhibition at MAGAZIN, Vienna, Austria (upcoming)

2025 - Lisbon Architecture Triennale, Portugal

2024 - Work presentation at RedClay (Studio of Ibrahim Mahama), Ghana

2024 - Mobile installation, exhibition, Governors Island - Lower Manhattan, New York

2024 - OMI, "Rotterdam Culture City", alongside significant works by OMA and West 8.

2024 - International Architecture Biennale Rotterdam (IABR)

2022 - Prix de Rome, NI, Rotterdam

2022 - Architecture Triennale, Lisbon

2022 - New European Bauhaus, Brussels

2021 - Dutch Design Week

2021 - Biennale, Venice

2020 - Dutch Design Week

2019 - Biennale, Santiago

2019 - Archiprix International

2019 - Archiprix Netherlands

Portrait for Prix de Rome 2022

Lesia Topolnyk is a licensed architect and recipient of numerous Dutch and international awards for design and research — including the Prix de Rome and Archiprix. Named an agent of change by the International Architecture Biannale Rotterdam for her work on energy transition and places that require a new vision, she brings more than ten years of experience working at internationally acclaimed Dutch practices. Her projects span the Netherlands, New York, North Africa, and her native Ukraine.

Her practice operates across two registers: spatial design — buildings, interventions, interiors — and strategic research consultancy for municipalities, developers, and NGOs engaged with transition themes including energy, landscape, and heritage. The two are not separate disciplines but a single sensibility applied at different scales and in different forms of collaboration. Her work does not stop at the building — it contributes to the shaping of the spaces and systems we inhabit.

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