Work The Governing Island | New York | mobile installation | performance

Research

In the midst of the 2024 U.S. elections, Lesia spent three months on Governors Island, New York, which is currently undergoing yet another questionable transformation into a Sustainability Research Center. By working closely with activists on the island, this residency inspired work 'The Governing Island'—a mobile installation and performance claiming agency and provoking a discussion on capitalist Manhattan about its current values.

Medium: Mobile installation, performance and total exhibition on Governors Island.

Project text:

In 1637, the Dutch controversially purchased Governors Island from the Lenape, the indigenous people of New York City, in exchange for beads, nails, and two ax heads. For them, the agreement likely represented a temporary use permit rather than a permanent transfer of land. Consequently, the Lenape were forcibly removed from their ancestral territory, while Manhattan emerged as a symbol of capitalist expansion, made possible by the geological forces that form its bedrock.

Governors Island has historically served as both a protector and an extension of the city’s influence, reflecting Manhattan's reliance on surrounding territories. Over time, it has evolved from Indigenous foraging grounds to a colonial outpost, then a military stronghold, and now a “sustainability hub”—an urban entity dependent on energy grids, pipelines, waste flows, and other infrastructure to meet the city’s needs.

But what if the island resists? What if it asserts its own agency and becomes an active force rather than a passive entity? This project explores the possibility of Governors Island resisting New York’s legacy of control and expansion, claiming agency and redefining its role.

This project imagines a day when Governors Island breaks free to “occupy” Manhattan. "Characters" composed of materials sourced from the island, are connected like beads—modern ‘treasures’ that reflect recent changes to the social and political landscapes. They travel to Manhattan, claiming space and agency, and ultimately “governing” as they move. Travelling along Broadway—originally a Lenape trade route and culminating at the site of Manhattan’s sale to the Dutch, these beads, formed from the island’s more-than-human agents, symbolically “purchase” Manhattan and reclaim the island’s freedom. This act invites the public into a critical dialogue that redefines New York’s narrative with values that existed before the island’s sale. Here, Governors Island becomes Governing.

View from Governors Island towards Manhattan. Sourced materials from the island are connected like beads (historical currency), forming modern ‘treasures’ that reflect recent changes in the social and political landscapes.

Governing and claiming space while navigating through the city.

Final destination: Bowling Green, the site where Manhattan was allegedly “sold” to the Dutch.

Project

Biography

Lesia Topolnyk (StudioSpaceStation) is an architect, artist, researcher, and film director based in The Netherlands and working internationally. Raised within a constantly changing political environment in her native Ukraine and educated as an artist and architect, at the heart of her practice lies a fascination with the interconnectedness of global dynamics and invisible forces that manifest and shape our physical realities.

After a decade of working for internationally renowned architecture practices, Lesia founded Studio Space Station to respond to urgent societal and planetary issues beyond traditional boundaries of architecture, bringing together global and local concerns.

Through mediums of installations, interventions, architectural designs, drawings, films, and sculptures, Lesia makes ideas, dreams, and hidden stories tangible. Grounded in extensive research, each project unfolds as a unique expression of its context. Lesia’s work seeks to provoke thought, evoke emotion, and spark dialogue, inviting engagement with the complexities of our world in new and unexpected ways.

Lesia easily navigates between different scales and realities, holding masters in Architecture (NL), Urban Planning (PL), and Environmental design (UA). For her work, Lesia has received numerous Dutch and international awards, being exhibited and published internationally. Lesia teaches and gives lectures in The Netherlands and abroad.

Honors & Awards:

2023 - IABR Agent of Change
2023 - Financieele Dagblad Top 50 Talent 2023
2022 - Winner Prix de Rome (The oldest and most prestigious prize for talented artists and architects in the Netherlands)
2020 - Talent Grant, Creative Industries, Netherlands
2020 - Young Talent Architecture Award, nomination (by the Fundació Mies van der Rohe and the EU Commission)
2019 - Winner Archiprix Nederland
2019 - Winner Archiprix International
2019 - Winner Tamayouz International Award

Selected Exhibitions:

2025 - Lisbon Architecture Triennale, Portugal
2024 - Mobile installation, exhibition, Governors Island - Lower Manhattan, New York
2024 - International Architecture Biennale Rotterdam (IABR)
2024 - OMI, Rotterdam
2022 - Prix de Rome, NI, Rotterdam
2022 - Architecture Triennale, Lisbon
2022 - New European Bauhaus, Brussels
2021 - Dutch Design Week
2021 - Biennale, Venice
2020 - Dutch Design Week
2019 - Biennale, Santiago
2019 - Archiprix International
2019 - Archiprix Netherlands

Portrait Prix de Rome 2022

'Lesia Topolnyk is an architect who focuses on a broader interpretation of her field. She is interested in the potential of her profession within our constructed reality – not necessarily in building things. 'It's about ideas that take shape during the research and design process which generate new typologies,' she says. For her, it's not enough to shape the world reactively, or in line with what already exists. She explains: 'Although architects are seen as people who design spaces, we also design relationships. Especially in these turbulent political times, it's necessary to look at how the world is designed to understand the larger context in which a project is taking place. I sometimes reflect on major problems at a global level, while other times I focus on the space inside someone's mind.'

Topolnyk grew up in Ukraine, and addressed the situation in Crimea with her final project at the Academy of Architecture in Amsterdam. She created a proposal for a building that consisted primarily of corridors – places where discussions and interactions occur that ultimately have the greatest influence on the decisions being made. Continuous mediation of the situation was central to this concept. The architecture symbolised and supported the mental capacity of those involved. In this endless network of hallways, which reference the agora, visitors could have endless discussions which allowed for a continuous debate; politics is an ongoing conversation. Similarly, her own vision of architecture and her process of research and design focuses on conversation, contributions from different positions, and the involvement of people with a wide range of expertise. She therefore frequently collaborates with people who work in different fields. Because 'you can learn from others and they bring valuable insights and viewpoints...'

Her current research is focused on the various crises humanity is currently facing, with a special interest in political systems and the significance of democracy, including its Greek foundations. She is exploring how this form of government was historically designed and how architecture supported and portrayed it. 'It's about how we can shape change and how we can manage the world better together,' she concludes. Architecture can play a role in that by offering design solutions that support the decision-making process.'

Text: Vincent van Velsen

About / Contact