Work Architecture of perpetual instability | research | installation

Research

Type: research, design, installation, film
Theme: politics and space
Special thanks: Video is made in collaboration with Tanja Busking
Creative coding and AI by Soyun Park & Cailean Finn
Year: 2020 - 2022

Architecture of Perpetual Instability is an ongoing research on the various crises humanity is currently facing, with a special interest in political systems and the significance of democracy, including its Greek foundations. The project explores how this form of government was historically designed and how architecture supported and portrayed it.

With global power structures in transition, the role of international organizations in shaping societies has become crucial. History shows that crises such as wars, famines and pandemics have been associated with seismic political changes. Decision-making institutions are currently compelled to reinvent themselves to cope with issues of multilateralism and simultaneous fragmentation in the global political arena. As UN Secretary-General António Guterres has noted, this “is the greatest test that we have faced since the formation of the United Nations”.

There is a fundamental contradiction between crisis phenomena that ‘know’ no borders and a political system that reifies borders for defence. During the current pandemic, for example, migrants have been caught up in strained relations between municipal and national government. This highlights the need for deinstitutionalisation, informal decision-making and a greater variety of decision-making institutions. More than ever, citizens now want to understand and participate in governmental and parliamentary decision-making because many of the decisions affect them concretely and personally. I see this as an opportunity to radically enhance democracy, as many citizens feel disconnected from national and international – including EU – politics.

Emergence of data-based surveillance systems and other mechanisms to control COVID-19 are influencing the work of political structures and organizations. For the first time in history, an ‘invisible’, fear-based global power structure is growing beyond the control of political entities.

Since the founding of the League of Nations in 1920, it has often been noted that the functioning of such international institutions is jeopardised by the heterogeneity of their component parts. Project examines prospects for evolution of a network of international institutions such as NATO, the European Parliament, the EU Court of Justice and the European Central Bank.


Currently, buildings of international institutions seem to be perceived merely as containers for politics. Recently, NATO moved its headquarters to Brussels. Although the institution has an enormous impact on city and regional dynamics, its architecture and contextual integration were not the subject of a broad-based open discussion. Here, there is a key role for design thinking to mediate between political forces and the social realm.

The research on politics and space lead to the Prix de Rome entry 'No Innocent Landscape', which states that the current man-made struggle is inevitably embedded in the landscape.

The small mining village of Hrabove is a very apparent site for this, which all of a sudden became of national importance to the Dutch, irrespective of geographical borders, due to the MH17 tragedy. The place is gathering traces and fragments of the different forces at play: from the downing of the aeroplane to the illegal mining activities in the region. Here design can act as a spatial language revealing invisible processes and questioning a healing way forward.

The presented object outlines an idea of reconstruction of the invisible storylines of the site using spatial language. Through the object one can see video of the images of the existing location, but where by using specific words new reality is created between the image frames. Responding to disaster, grief and loss with poetry. Animation, refractive in a transparent object and generated with AI animations, captures time between moments of what is unimaginable and brings together an amalgamation of seemingly random events and processed generated into another representation, where there maybe is reconciliation but no absolute rightness and truth.

Project

Biography

The Prix de Rome is the oldest and most prestigious Dutch award for visual artists and architects below the age of 35.

Lesia's work has been published in ArchDaily, E-Flux, STIRworld, NRC, Het Financieele Dagblad Persoonlijk, Metropolis, Mister Motley, Blauwe Kamer, AD, and more.

Honors & Awards:

2024 - Residency at The Savannah Centre for Contemporary Art (SCCA) and Studio of Ibrahim Mahama (Red Clay), Ghana

2024 - Residency on Governors Island, New York

2023 - IABR Agent of Change

2023 - Financieele Dagblad Top 50 Talent 2023

2022 - Winner Prix de Rome, the Netherlands

2020 - Talent Grant, Creative Industries, Netherlands

2020 - Young Talent Architecture Award, nomination (by the Fundació Mies van der Rohe and the EU Commission)

2019 - Winner Archiprix Nederland

2019 - Winner Archiprix International

2019 - Winner Tamayouz International Award

2014 - AHK Talent Grant

Selected Exhibitions:

2025 - Solo exhibition at MAGAZIN, Vienna, Austria (upcoming)

2025 - Lisbon Architecture Triennale, Portugal

2024 - Work presentation at RedClay (Studio of Ibrahim Mahama), Ghana

2024 - Mobile installation, exhibition, Governors Island - Lower Manhattan, New York

2024 - OMI, "Rotterdam Culture City", alongside significant works by OMA and West 8.

2024 - International Architecture Biennale Rotterdam (IABR)

2022 - Prix de Rome, NI, Rotterdam

2022 - Architecture Triennale, Lisbon

2022 - New European Bauhaus, Brussels

2021 - Dutch Design Week

2021 - Biennale, Venice

2020 - Dutch Design Week

2019 - Biennale, Santiago

2019 - Archiprix International

2019 - Archiprix Netherlands

Portrait for Prix de Rome 2022

Lesia Topolnyk is an architect who pushes the boundaries of her field, exploring architecture’s role beyond the act of building. Her goal is to foster a holistic perspective and stimulate systemic transformation. Rather than simply creating structures, she is deeply invested in the potential of architecture within our constructed reality—whether physical, social, or political. "It's about ideas that take shape during the research and design process, generating new typologies," she explains. For her, architecture is not a reactive discipline but a tool for reshaping the world by questioning its existing frameworks. "Architects are often seen as designers of spaces, but we also design relationships. Especially in these turbulent political times, it is crucial to examine how the world itself is designed to understand the larger forces at play. Sometimes, I reflect on major global issues; at other times, I focus on the space inside someone's mind.”

Lesia founded Studio Space Station to tackle urgent societal and planetary challenges beyond the traditional scope of architecture, bridging global and local perspectives. She uses spatial tools to shape ideas, uncover hidden narratives, and forge new relationships—whether through installations, interventions, architecture, or film. Rooted in deep research, each project uniquely responds to its context, provoking thought, stirring emotion, and sparking dialogue. Her approach to architecture, art, and design is fundamentally collaborative, drawing on diverse perspectives and expertise. She actively works across disciplines, believing that "you can learn from others, and they bring valuable insights and viewpoints.”

Lesia effortlessly navigates between different scales and realities, having studied art and holding master’s degrees in Architecture (NL), Urban Planning (PL), and Environmental Design (UA). She also has a decade of experience working at internationally renowned architecture practices. Her work has received numerous Dutch and international awards and has been exhibited and published worldwide. She also teaches and lectures in the Netherlands and abroad.

For her final project at the Academy of Architecture in Amsterdam, Topolnyk, who grew up in Ukraine, addressed the situation in Crimea, proposing a building that serves as a counterpart to the United Nations Headquarters—UnUnited Nations Headquarters—exploring architecture’s role in absorbing conflict within a divided society. For this work, Lesia received both the Archiprix Netherlands and Archiprix International awards.

Her Prix de Rome-winning project, No Innocent Landscape, expands on this vision, exploring how architecture can operate in politically contested territories, using spatial interventions to navigate instability and create new narratives. Through speculative research and design, she examines architecture’s role in decision-making and power structures, revealing the invisible forces that shape our built environment.

Lesia's current research, extending to sites in the Netherlands, Africa, and New York, focuses on the crises shaping our world, with a particular interest in how governance has historically been designed and how architecture has supported, symbolised, and shaped these systems. "It’s about how we can design change and how we can govern the world better together," she concludes. For her, architecture is not just about constructing spaces—it is about constructing possibilities.

Text: Vincent van Velsen

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